Two nights ago I was a little
taken aback by a question. It was, “Where is Teeb? Is it a fictional place?”
How to respond?
Eventually I said that Teeb
isn’t a place at all. It is a notion—an abstract notion.
The question came from
someone who has read my story “The Hags of Teeb” but, although they said they
enjoyed the tale—they said it was funny so that was a success, they clearly
have no understanding of the British leaning towards word-play
Suppose you were a young lady
in the market for a pair of shoes. You might, possibly, buy some shoes of Jimmy
Choo, or, more likely, you would buy ‘Jimmy Choo Shoes’.
Thus it is with ‘The Hags of
Teeb’.
It would be commonplace to
say they are ‘The Teeb Hags’ and that, dear reader, is why the illustration has
labels coming out from under their apparel.
This means that we may now
address the idea of the ‘Herds of Dollib’ who appear in the story. They are,
quite naturally, the ‘Dollib Herds’, hence their focus on make-up and hair
styling.
The British are racially
inclined towards word-play. It may be the ever popular pun, for example:
“Why did the Scotsman play
golf in the fog – a mistery?”
Or it could be a spoonerism:
“I’m not the pheasant plucker
I’m the pheasant plucker’s son. I’m only plucking pheasants ‘til the pheasant
plucker comes,” here in the shape of a ‘tongue–twister’.
We do like to play with
words. As a writer it can be a useful tool to incorporate into a story
providing it fits with the general mien of the tale.
Sir Terry Pratchett was a master
at this in his ‘Discworld’ series that were a beautifully crafted dose of
humour throughout. Even the titles were superbly created—two of them, for
example, were:
‘Carpe Jugulum’, and
‘The Fifth Elephant’
Should you be unfamiliar with Sir Terry Pratchett’s novels I should, perhaps, explain these.
‘Carpe’ means ‘seize’ and is
popularly used in the expression ‘carpe diem’, which translates as ‘seize the
day’. Here it is combined with ‘jugulum’ or ‘throat’! Brilliant. I am in awe of
such thinking.
‘The Fifth Elephant’ is a
little more complex.
Sir Terry’s ‘Discworld’ is a
place that is shaped like a huge plate. It rests on the backs of, apparently,
four elephants that, in turn, stand resolutely on the back of a giant turtle
that swims through space forever.
There was, at some stage, a
discovery on that world that there was another elephant underneath them. This
appeared shortly after a film called the ‘The Fifth Element’ made the cinematic
rounds.
The man was a genius. His
contribution to the humour banks of the written word are monumental and additions
to that fund will be sorely missed.
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